The chair acts more as a significant symbol for recognition, an icon of an ongoing need for a redefinition of the human to a particular space.

There is the possibility of an ongoing theoretical interrogation of the context of fetishised space, the chair as a signifier which continually acts out the role of the seer and the seen as one entity.

The chairs role is made more apparent when the threshold is absent of the chair, the empty space floats like a void in a no mans land, a land mined area of physical dangers to be feared and avoided.