This intensity, like the memory of the 'making out' in the back seat of a car can be transferred to the couch, the park bench or the porch hammock, which now appear in these threshold spaces.

So the sexuality of the memory of the chair is implied and subconsciously transferred when passing by these various configurations and designs of chairs in dimly lit streets.

Knowing threshold is a dislocated part of the house, detached it allows for a freedom from the domesticity of the home, to explore fantasies

Fantasies can be transferred to the space of the porch verandah where the point of almost being seen, being aware of the possibility creates a tension in a voyeuristic construct.