"If one takes architecture as the expression of an individual's life, one starts at the centre rather than at the face, asking what space is created rather than what plot is filled".[1]

 



 

The threshold space is where the ownership of ones spatial interaction with the world is first made visible to the public. The threshold becomes a transition zone and the signifying symbol of the chair as the disembodied occupier, plays a role in this dialectic.



The theoretical construction of a chair on the threshold enables the space to be explored from both the seer and the seen as well as the seer and the displaced body.