The materiality of the chair, its substance, conceived and designed is placed as a material object in the threshold space, where its nature as a worked element is visible. The woodness, metalness, plasticness and fibreglassness of the chair defines the control of man over the raw materials of the earth.

"Yet, for all that, the 'chair' continues to be that common, every-day thing wood. But, so soon as it steps forth as a commodity, it is changed into something transcendent".[8]

"It not only stands with its feet on the ground, but, in relation to all other commodities it stands on its head, and evolves out of its wooden brain grotesque ideas, far more wonderful than 'chair' turning ever was".[9]

The power of not only the chair but the surrounding space to create a grotesque or intriguing potentiality of ideas far more wonderful than the chairs ever where.