The threshold spaces are divided by two approaches to design principles symmetrical and asymmetrical. Two pot plants placed at either end of the verandah are punctuated by the chair which inturn is placed directly below the window.

This is opposed by the chaos of the asymmetrical space with the chairs in the functional and non functional array of an abstract expressionist; suggesting some intuitive inherent meaning.

For these spaces have been totally conceived, with floor tiling to match, the chair is painted with the decor colour range of the house to conceal its presence like a chameleon on a rock the chair is disguised as the threshold.