Master of Electronic Art

Representation and Presentation

Introduction | Week: 1 . 2 . 3 . 4 . 5 . 6 . 7 . 8 . 9. 10 . 11 . 12 |
 

New Media Gallery: White Cube, Black Box & New Media Lounge

 

Overview

New Media art poses challenges to presentation, collection & preservation to a gallery space based on the White Cube model.   This model of art museums predates the type of works being generated by New Media artists and was not developed with it in mind.   T he interactivity inherent in much of the new media art challenge the status of gallery as a space of sanctity and alter the roles of curators, artists, and audiences to wards more collaborative models of production and presentation . The materiality of the equipment or hardware used in media art, poses more practical problems including successful operation.   Alternative approaches to integrate new media art within the institution and gallery have been explored. It's inclusion in Festivals preceded presence in galleries. More recently larger scale museums were developed, dedicated exclusively to showcasing and promoting new media art.   Media Lounge is another highly debated alternative to traditional gallery model. It functions not only as a platform for exhibitions but also as a lab or a library.   A common characteristic of new media exhibitions is that they tend to undergo transformation each time they are re-exhibited. Questions arise beyond the fundamental where to present new media art but also what is the work of art in new media art, if its form varies from exhibition to exhibition.

Primary Reading

O'Doherty 2000 Inside the White Cube.   The Ideology of the Gallery Space , Expanded Edition, UC Press, Berkeley

Paul , Christine The Myth of Immateriality - P resenting & Preserving New Media Refresh! Conference

 

More

Manovich, Lev 2006 The Poetics of Urban Media Surfaces First Monday, Special Issue #4: Urban Screens: Discovering the potential of outdoor screens for urban society

Whitkin, Andrea Interactivity: Thinking Beyond in Macdonald , Sharon (ed) 2006 A Companion to Museum Studies , Blackwell Publishing

Paul, Christiane Challenges for a Ubiquitous Museum : Presenting and Preserving New Media

Tesla A media art lab founded by Andreas Broeckmann, Detlev Schneider & Carsten Seiffarth

An Interview with Peter Weibel by Sarah Cook at ZKM, September 2000

Gagnon, Jean Collecting, preserving and archiving the media arts

Depocas, Alain Digital preservation: recording the recoding the documentary strategy , Daniel Langlois Foundation for Art, Science, and Technology

Gagnon, Jean Research at the Foundation: Between prospective and retrospective inquiry , Daniel Langlois Foundation for Art, Science, and Technology

Media-Space

Tara McDowell & Linda Wilson Your Show Here 2001 at Masmoca

An audience curated show within the museum context

Marek Walczak and Martin Wattenberg Apartment - a variable, customisable presentation

Paul, Christiane 2002 Collaborative Curatorial Models and Public Curation

Plug-in , media lounge, Switzerland

Dietz, Steve Curating (on) the Web

Hybrid Media Lounge database and archived material of the Hybrid Workspace, begun during Documents X (1997)

Migone, Christof Volume of confinement and infinity

Australian Centre for the Moving Image ( acmi )

Duncan & Wallach   The Museum of Modern Art As Late Capitalist Ritual: An Iconographic Analysis , Marxist Perspectives, 1:4, 1978, pp 28

CRUMB - Curatorial Resource for Upstart Media Bliss

Sturken, Marita 1983 Out of Sync: Electronic Visions at the Hudson River Museum

DOCAM . Documentation and Conservation of the Media Arts Heritage

Poissant, Louise Conservation of Media Arts and Networks: Aesthetic and Ethical Considerations

Christiane Paul (ed.) Curating New Media . Berkeley: University of California Press

Cook , Sarah 2005 Researching And Presenting A History Of New Media: Ten Years Of The Banff New Media Institute

Capturing Unstable Media

The Walker Art Center - galleries for Internet art accessible only on the Web

Artport website Institutional online curation (very filtered) (Whitney Museum)

LOW-FI Network Locator , Independent online curation, curatorial database

Digital Art Museum ( dam )

Data Dynamics (2001), an exhibition at the Whitney Museum and on the Web

online exhibition CODeDOC (2002) for artport , the Whitney Museum's online portal to Internet art

Dowden, R 2005 Podcasting museum audio tours - the sanctioned an authorised

 

 

| Course co-ordinator : Dr Paul Thomas |

| C u r t i n . D e p t . o f . A r t | C u r t i n . U n i v e r s i t y . o f . T e c h n o l o g y |
| D e s i g n e d . Amanda Alderson & . M a i n t a i n e d . b y : Dr Paul Thomas |
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